Showing posts with label in. Show all posts
Showing posts with label in. Show all posts

Wednesday, March 5, 2014

What purpose does woodworking still serve in modern art and craft

What purpose does fine woodworking, whether you insist it "art" or "craft", still serve in the modern, after-Warhol, post-internet world?
From a strictly engineering/manufacturing point of view, objects of cut and assembled wood serve a niche function. For many applications -home building, cabinets, etc.- woo is inexpensive, durable, and light enough to be the best material. Sure there are more space age materials which could be used to make far more durable cabinets and better insulated walls, but wood (and the labor required to shape it) are often far cheaper. But this niche no longer covers products that are far easier to construct in newer materials. At one time toolboxes were universally made of hardwood, but today almost anyone can buy a cheep toolbox to fit their specific needs, built of plastic, aluminum, or steel and as a result being much lighter and stronger than any wood duplicate. Indeed, as materials technology continues to make lighter/stronger materials more cheaply, the engineering niche wherein wood is the best material will keep shrinking.
Related to this is also the psychology wooden objects bring to bear. Wood, in its texture and appearance, appeals to a great many people. For thousands of years, the heft, feel (and smell) of carved hardwoods have been associated with wealth. And interiors constructed of polished wood often have a calming effect on their inhabitants. Products made of wood appeal to people in a way that increases their value (even when using another material might be more logical).
And of course the act of working with wood or owning it, connects one to all those who have come before him who have done the same. Woodworking appeals in its ability to place each of us (lone individual forms of protoplasm) within a greater sense of history and culture.
But in a world where all art is going to be instantly given copious connections and references the moment it is shown (try placing an image of a sculpture on the internet that will not evoke dozens of comparisons and links to remotely related work), is it now ever necessary to use a material to relate to the past again? And in an era in which sarcasm or irony in a work seems an essential, is making an object out of honest, undisguised wood inappropriate. Today it seems far more apt to make something out of steel that carefully counterfeits wood-grain, or make wood that is smoothed and painted to resemble clean enamel.
Can one still create a modern art-piece out of wood?
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Tuesday, March 4, 2014

Tray in Curly Ash Walnut and Cherry

This functional piece is available in various woods and can be sized to meet your needs.

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Tuesday, February 11, 2014

Power In The Shop Only 5 Years Late

Long time readers may remember some of these photos.



It was in the summer of 2008 that I ripped out the sheet rock, insulation and electric from my shop. Though I had every intention of replacing them all quickly, it was not to be. For years I suffered through a shop that had no insulation and almost no electric. My only shop outlet was a single 15 amp outlet on a circuit shared with the shop lights and the hall in the house.


As the removal of the insulation and electric was part of the first phase of my siding project, their replacement languished as the siding project devolved into a multi-year odyssey. It was my friend, +Aaron Marshall, who finally brought me back to the insulation and electric.

Woodworking in America 2011 occurred during the early days of the Wood Whisperer Guild Split-Top Roubo project. Aaron and I were excited about it and talking about workbenches. I explained to Aaron my intention to build a Roubo/21st Century Workbench hybrid from LVL’s and Timberstrand. Though the great hardware available from the WIA vendors was tempting, Aaron convinced me to make even that from LVL and make my own leg vise.

I left WIA excited about my bench and proceeded to begin work on it right away. I had finished the leg vise design by the time the temperature dipped - that’s when I knew the bench had to wait and I began rebuilding the wall.

My absolute favorite drill for roughing in electrical work.

Though the rough in of the electric was the first phase, most of the electrical work had to wait until the walls were insulated and sheathed. The insulating work began just after Christmas 2011 and by April of 2012, I was able to begin sheathing the walls. Finally, by April of 2013, the insulation and sheathing work were done and I was able to begin wiring outlets.

Ready for sheathing.

I completed the wiring of the 110V outlets on July 10, 2013. After thinking I was done, finding one I forgot, installing it and then connecting a ground that I’d failed to connect, all of the outlets were live and wired properly. I was even able to use the power detector I made in 7th grade technology to test the outlets.

Theres Power!

Next time I’m in the shop I won’t be swapping plugs to switch tools or blindly feeling for the circuit breaker when the table saw or planer trips the fuse and the lights go out. I now have 3 dedicated 20V circuits with 16 double gang boxes and one single gang box to choose from.

So many nice outlets . . .


And that’s with just one side done. Once I wire the opposite wall and connect the two 220V circuits still not setup I hope to have more outlets and power than I can use.
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Monday, January 27, 2014

Entryway built in

Here is the latest project - a built-in for a rear entryway off of a garage.  The owner wanted an area to store shoes, as well as a coat area, and some upper storage.  The solution: A lower section, approximately 35" high with several removable shelves, four "bays" for coats, and an upper section for each bay.

As you can see in the before and after pics, there was a floor register to deal with - that was re-ducted to the face of the lower unit.  There are 3 lower shelves that are all removable, but each shelf is the proper height and depth for shoes. The center bays will be coat hanging areas (although these pictures were taken before the coat hooks were installed).  The upper areas have been partitioned off to match the lower bays, and I have finished the top with crown molding.
The back of the unit is finished with bead board, and the top of the lower unit features a stained oak top, that matches the floor color.
This area has been transformed into an immensely useful and functional area, and will serve the family well for decades to come!







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Thursday, January 23, 2014

The Whole Story In Three Pictures


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