Showing posts with label modern. Show all posts
Showing posts with label modern. Show all posts
Wednesday, March 5, 2014
What purpose does woodworking still serve in modern art and craft
What purpose does fine woodworking, whether you insist it "art" or "craft", still serve in the modern, after-Warhol, post-internet world?
From a strictly engineering/manufacturing point of view, objects of cut and assembled wood serve a niche function. For many applications -home building, cabinets, etc.- woo is inexpensive, durable, and light enough to be the best material. Sure there are more space age materials which could be used to make far more durable cabinets and better insulated walls, but wood (and the labor required to shape it) are often far cheaper. But this niche no longer covers products that are far easier to construct in newer materials. At one time toolboxes were universally made of hardwood, but today almost anyone can buy a cheep toolbox to fit their specific needs, built of plastic, aluminum, or steel and as a result being much lighter and stronger than any wood duplicate. Indeed, as materials technology continues to make lighter/stronger materials more cheaply, the engineering niche wherein wood is the best material will keep shrinking.
Related to this is also the psychology wooden objects bring to bear. Wood, in its texture and appearance, appeals to a great many people. For thousands of years, the heft, feel (and smell) of carved hardwoods have been associated with wealth. And interiors constructed of polished wood often have a calming effect on their inhabitants. Products made of wood appeal to people in a way that increases their value (even when using another material might be more logical).
And of course the act of working with wood or owning it, connects one to all those who have come before him who have done the same. Woodworking appeals in its ability to place each of us (lone individual forms of protoplasm) within a greater sense of history and culture.
But in a world where all art is going to be instantly given copious connections and references the moment it is shown (try placing an image of a sculpture on the internet that will not evoke dozens of comparisons and links to remotely related work), is it now ever necessary to use a material to relate to the past again? And in an era in which sarcasm or irony in a work seems an essential, is making an object out of honest, undisguised wood inappropriate. Today it seems far more apt to make something out of steel that carefully counterfeits wood-grain, or make wood that is smoothed and painted to resemble clean enamel.
Can one still create a modern art-piece out of wood?
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From a strictly engineering/manufacturing point of view, objects of cut and assembled wood serve a niche function. For many applications -home building, cabinets, etc.- woo is inexpensive, durable, and light enough to be the best material. Sure there are more space age materials which could be used to make far more durable cabinets and better insulated walls, but wood (and the labor required to shape it) are often far cheaper. But this niche no longer covers products that are far easier to construct in newer materials. At one time toolboxes were universally made of hardwood, but today almost anyone can buy a cheep toolbox to fit their specific needs, built of plastic, aluminum, or steel and as a result being much lighter and stronger than any wood duplicate. Indeed, as materials technology continues to make lighter/stronger materials more cheaply, the engineering niche wherein wood is the best material will keep shrinking.
Related to this is also the psychology wooden objects bring to bear. Wood, in its texture and appearance, appeals to a great many people. For thousands of years, the heft, feel (and smell) of carved hardwoods have been associated with wealth. And interiors constructed of polished wood often have a calming effect on their inhabitants. Products made of wood appeal to people in a way that increases their value (even when using another material might be more logical).
And of course the act of working with wood or owning it, connects one to all those who have come before him who have done the same. Woodworking appeals in its ability to place each of us (lone individual forms of protoplasm) within a greater sense of history and culture.
But in a world where all art is going to be instantly given copious connections and references the moment it is shown (try placing an image of a sculpture on the internet that will not evoke dozens of comparisons and links to remotely related work), is it now ever necessary to use a material to relate to the past again? And in an era in which sarcasm or irony in a work seems an essential, is making an object out of honest, undisguised wood inappropriate. Today it seems far more apt to make something out of steel that carefully counterfeits wood-grain, or make wood that is smoothed and painted to resemble clean enamel.
Can one still create a modern art-piece out of wood?
Monday, February 10, 2014
Refurbished Mid Century Modern Chairs
Hi! I hope that you had a great weekend! We finished our Mid Century Modern chairs. Yay! So today Im sharing photos and a few tips and tricks on how we refurbished them.




The foam was in decent condition, but we wanted it thicker, so we decided to to put in underneath a layer of new foam (which was cut a little larger so that there wouldnt be any lines). We then topped it with batting and fabric.






Ive been painting everything recently, so it felt great to stain something instead! Sanding it completely takes a little longer, but the stain goes on so quickly so it definitely balances out.

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We started with two solid wood chairs from a local consignment shop. The wood was in pretty good condition, so we decided to refinish the wood verse paint it.
The finish was worn, so I decided to completely sand it down and re-stain. Im glad that I did because it revealed pretty wood grain underneath. The stain seemed to be semi-opaque because some of the grain showed through and some didnt.

We started with the orbital sander - 80 grit sand paper to quickly remove the finish (being careful on the round legs not to flatten them). Then to get into the crevices, we wrapped a putty knife (I used) and a wood shim (David used) with sandpaper. The thin, firm but slightly flexible tip allowed us to quickly remove the finish in the hard to reach spots. We then finished sanding with 220 grit sandpaper to give the wood a smooth finish. (ps, dont worry Annabelle wasnt actually this close when I was sanding, she just came to visit :)
Finally, we stained the chairs with Minwax Classic Gray. I wanted something fairly neutral so that the color wouldnt change drastically, and this was perfect!

We upholstered the cushion with Caitlin Wilson Textiles, Mint Tall Chevron. I LOVE the bright subtle chevron pattern! Isnt her fabric the best!?


Pulling tight, we put a few staples in all four sides and then worked towards the corners. We like to look at the sides every time we pull, to make sure that it looks even and then staple. For the corners we cut off the extra batting and then staple the side under and then tuck the fabric in and fold the front over.
We reattached the seat to the base and then we were finished!

I decided to take a few photos in the garage using the feature wall that we stenciled back in March for Creating with the Stars. I wanted to take advantage of it before we have to paint it over in a few weeks when we move out ... Ill have photos in the office for the room tour (coming soon! :)

I love the wood grain! So glad that I decided not to paint!

Love the brightness that the fabric brings!



This is our last (planned) furniture redo before we move at the end of summer, so Ill be sharing full room reveals soon. I still have some projects that I want to add to finish the spaces, so look out for those soon!
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